{"id":2163,"date":"2020-06-22T14:25:22","date_gmt":"2020-06-22T12:25:22","guid":{"rendered":"https:\/\/pokreni.rs\/?p=2163"},"modified":"2020-06-22T15:04:50","modified_gmt":"2020-06-22T13:04:50","slug":"analiza-sukoba-kroz-film-profesionalacc","status":"publish","type":"post","link":"https:\/\/pokreni.rs\/index.php\/2020\/06\/22\/analiza-sukoba-kroz-film-profesionalacc\/","title":{"rendered":"Analiza sukoba kroz film: \u201eProfesionalac\u201c"},"content":{"rendered":"\n

\u201eProfesionalac\u201c, filmsko ostvarenje na\u0161eg scenariste i reditelja Du\u0161ana Kova\u010devi\u0107a iz 2003. godine, predstavlja poku\u0161aj poja\u0161njenja politi\u010dkih zbivanja u Srbiji devedesetih godina pro\u0161log veka, ali i dokaz da su njegova dela vanvremenska i da se ne odnose toliko na istorijsku epohu koliko na probleme srpskog dru\u0161tva generalno.<\/strong><\/em><\/p>\n\n\n\n

Autor: Lazar Suboti\u0107, CMJP<\/em><\/p>\n\n\n\n

Predstava \u201eProfesionalac\u201c<\/a> iz 1990. godine u kojoj je maestralnu ulogu majora srpske slu\u017ebe bezbednosti, Luke Labana<\/strong>, odigrao Danilo Bata Stojkovi\u0107<\/strong> predstavila je period \u201eBrozovog sistema\u201c, vremena komunizma, cenzure i politi\u010dkog jednoumlja. Trinaest godina nakon predstave, Bora Todorovi\u0107<\/strong>, zameniv\u0161i tada ve\u0107 pokojnog Batu Stojkovi\u0107a u ulozi majora slu\u017ebe bezbednosti, postavlja se u polo\u017eaj slu\u017ebenika za vreme \u201eMilo\u0161evi\u0107evog re\u017eima\u201c koji je po svojim karakteristikama dosta podse\u0107ao na Brozov, uz odre\u0111ene specifi\u010dnosti poput gra\u0111anskog rata i ekonomskog haosa u zemlji.<\/p>\n\n\n\n

Srpski scenarista je veliku pa\u017enju posve\u0107ivao ideolo\u0161koj crti aktera koji su se na\u0161li u konfrontaciji sa neistomi\u0161ljenicima, \u0161to nije svojstveno samo za \u201eProfesionalca\u201c ve\u0107 i za najve\u0107i deo njegovih ostvarenja.<\/p>\n\n\n\n

Klju\u010dni protagonista pri\u010de, major Luka Laban<\/strong>, je penzionisani major slu\u017ebe dr\u017eavne bezbednosti. U svojoj radnoj karijeri bio je posve\u0107en borbi za unutra\u0161njim neprijateljima, koji su zapravo predstavljali neprijatelje komunisti\u010dkog, a kasnije Milo\u0161evi\u0107evog re\u017eima. Na svom relativno \u201emonotonom\u201c poslu dobija slu\u010daj Teodora Teje Kraja<\/strong>, profesora Filozofskog fakulteta, koji je na devetomartovskim protestima 1991. godine imao zapa\u017eenu ulogu, dr\u017ee\u0107i govor na Terazijskoj \u010desmi uperen protiv re\u017eima Slobodana Milo\u0161evi\u0107a (prikazana scena u filmu predstavlja stvarno odr\u017ean govor Branislava Le\u010di\u0107a<\/strong> na devetomartovskim protestima 1991. godine).<\/p>\n\n\n\n

Za razliku od Luke Labana, lik profesora Teje Kraja (u ulozi Branislava Le\u010di\u0107a), odraslog u provincijskom gradu u Sremu, u porodici policijskog oficira, koji kao mladi\u0107 dolazi na studije u Beograd u kom nakon zavr\u0161etka studija i ostaje, se razvija potpuno druga\u010dijim pravcem. Iako oficirsko dete, Teodor Kraj je odrastao u periodu nastanka dru\u0161tvene pluralizacije i liberalizacije u Jugoslaviji onog vremena, za razliku od njegovih roditelja, i imao je priliku da stvori kriti\u010dki osvrt na tada\u0161nji period vlasti i sveop\u0161te stanje u dru\u0161tvu.<\/p>\n\n\n\n

Ova dva lika predstavljaju popri\u0161te sukoba dveju ideolo\u0161kih struja. Luka je \u010dovek koji ima zadatak da sa\u010duva re\u017eim, koji i ako nije ortodoksno komunisti\u010dki, jeste preuzeo mnoge njegove karakteristike, te se Luka identifikuje sa njim, dok je Teodor veliki protivnik re\u017eima Slobodana Milo\u0161evi\u0107a<\/strong> i ideolo\u0161ki neprijatelj komunizma, \u0161to se mo\u017ee uvideti u njegovoj replici iz kafane, 15. novembra 1993. godine: \u201ePrirodi je trebalo milion godina da od majmuna napravi \u010doveka, a komunizmu samo pedeset da od \u010doveka ponovo napravi majmuna<\/em>\u201c.<\/p>\n\n\n\n

\"Scena
Scena iz kafane u filmu \u201eProfesionalac\u201c (Foto: imdb.com)<\/figcaption><\/figure>\n\n\n\n

Na izre\u010denu repliku major Laban je zatra\u017eio \u010da\u0161u vina kako bi se smirio, \u0161to najbolje pokazuje koliko su glavni akteri bili ideolo\u0161ki ostra\u0161\u0107eni, samo na suprotnim polovima.<\/p>\n\n\n\n

U filmu se prepli\u0107u dve ose sukoba, ideolo\u0161ka i politi\u010dka. Obe su podjednako va\u017ene ali bi se u prvi plan ipak mogla ista\u0107i ideolo\u0161ka osa, s obzirom da je za majora Labana napredak u karijeri nu\u017eno podrazumevao i \u010dlanstvo u komunisti\u010dkoj partiji. \u0160kolovan u sistemu koji je od svojih slu\u017ebenika zahtevao pokornost i ograni\u010davao ih na ono \u0161to treba da znaju, major Laban je, u skladu sa tim, konstruisao svoj pogled na dru\u0161tvo i okru\u017eenje. Sa druge strane, profesor Kraj je \u017eeleo da Srbiju \u0161to pre oslobodi \u201esatrapa\u201c Milo\u0161evi\u0107a. Kao predstavnik opozicije pristupio je organizovanju politi\u010dkih skupova, od kojih \u0107e ga jedan umalo ko\u0161tati \u017eivota.<\/p>\n\n\n\n

\u201eKako sada radite u slu\u017ebi, kada je slu\u017eba izmenjena? A ko ti ka\u017ee da je izmenjena? Izmenjeni smo samo ja i tvoj pokojni otac sve ostalo je isto\u201c<\/em><\/strong><\/h6>\n\n\n\n

Iako su petooktobarske promene dovele do promene politi\u010dkog re\u017eima, jedan od razloga zbog \u010dega je do toga do\u0161lo jeste bio i uspeh pregovora lidera DOS-a sa policajcima i oficirima slu\u017ebe dr\u017eavne bezbednosti da ne\u0107e do\u0107i do njihovog procesuiranja niti isporu\u010divanja Me\u0111unarodnom sudu za ratne zlo\u010dine u Hagu. Tako\u0111e, gorepomenuta replika majora Labana nam poja\u0161njava da je izostalo suo\u010davanje sa pojedincima u drugim dr\u017eavnim stukturama koje su bile podr\u0161ka Milo\u0161evi\u0107evom re\u017eimu, a koje su preko no\u0107i postale \u201e\u010duvari demokratije\u201c.<\/p>\n\n\n\n

\u201eSvaka vlast kvari, ali apsolutna vlast kvari apsolutn<\/em>o\u201c<\/h2>\n\n\n\n

Tako se i dalje suo\u010davamo sa \u010dinjenicom da se na va\u017enim dr\u017eavnim pozicijama nalaze ljudi iz ere 90-ih ili njihovi ideolo\u0161ki naslednici. Pojedinci koji su zauzeli pozicije mo\u0107i se istih te\u0161ko odri\u010du, a to je dobro sa\u017eeo francuski filozof \u0160arl Monteskje<\/strong> re\u010denicom: \u201eSvaka vlast kvari, ali apsolutna vlast kvari apsolutn<\/em>o\u201c. Ovde se potvr\u0111uje teza s po\u010detka analize da su Kova\u010devi\u0107eva dela vanvremenska jer ukazuju na endemske probleme u na\u0161em dru\u0161tvu o kojima su pre njega pisali i Milovan Gli\u0161i\u0107 i Radoje Domanovi\u0107, proslavljeni srpski pisci.<\/p>\n\n\n\n

Major Laban \u017eivi i radi u te\u0161kim vremenima za na\u0161u zemlju. Usled ume\u0161anosti u gra\u0111anski rat u BiH, Saveznoj Republici Jugoslaviji se Rezolucijom 757 Saveta bezbednosti Ujedinjenih nacija uvode ekonomske i politi\u010dke sankcije. U periodu velike nema\u0161tine nezadovoljstvo gra\u0111ana je po logici stvari bilo ogromno, a time je postavljena dobra podloga za opozicione partije da grade svoje bira\u010dko telo, krive\u0107i aktuelni re\u017eim za trenutnu situaciju. To je jedan od razloga da se tada\u0161nje opozicione partije okarakteri\u0161u kao \u201estrani pla\u0107enici\u201c i \u201enarodni neprijatelji\u201c.<\/p>\n\n\n\n

Luka Laban predstavlja odli\u010dan primer kako je komunizam uspeo da izvr\u0161i podelu na \u201enas\u201c i \u201enjih\u201c. To se izgleda nije promenilo ni sa \u201epetim oktobrom\u201c, jer se i danas prave sli\u010dne podele. Luka, kao glavno oru\u017eje srpskih snaga bezbednosti, postaje sau\u010desnik sistema i \u017ertva njegovih suludih ambicija. Poku\u0161aj da istraje u svom poslu uni\u0161ti\u0107e njegov i \u017eivot njegove \u0107erke (koja na po\u010detku osnovnih studija ulazi u romansu sa profesorom Krajem, \u0161to majora Labana posebno poga\u0111a), koja \u0107e se zbog toga odseliti u Kanadu.<\/p>\n\n\n\n

\u201eProfesionalac\u201c svakako spada me\u0111u kvalitetnije doma\u0107e filmove, koji su ogledalo na\u0161e pro\u0161losti, ali s obzirom na vreme kada je film snimljen, kao i na poruku koju nosi sa sobom, sti\u010de se utisak da je poprili\u010dno ispolitizovan, tj. da je te\u017eio apsolutnoj stigamtizaciji re\u017eima Slobodana Milo\u0161evi\u0107a i podizanju rejtinga vlasti DOS-a, a u okviru njega Demokratske stranke i premijera Zorana \u0110in\u0111i\u0107a<\/strong>. Usled radikalnih ekonomskih reformi sprovedenih od strane \u0110in\u0111i\u0107eve vlade, koje su osetile sve dru\u0161tvene strukture, do\u0161lo je do pada njegove popularnosti i stranke koju je vodio.<\/p>\n\n\n\n

\"Bora
Bora Todorovi\u0107 kao Luka Laban i Branislav Le\u010di\u0107 kao Teodor Teja Kraj u filmu \u201eProfesionalac\u201c (Foto: imdb.com)<\/figcaption><\/figure>\n\n\n\n

Tako\u0111e, imaju\u0107i u vidu da je radnja filma u odnosu na originalno dramsko delo preba\u010dena iz kraja osamdesetih u po\u010detak novog milenijuma i burnih promena u na\u0161em dru\u0161tvu, potvr\u0111uje se zaklju\u010dak da je u filmu zastupljena i politi\u010dka pozadina, kao i da je sam pisac dela bio veliki simpatizer tada\u0161nje vlasti.<\/p>\n\n\n\n

Autor: Lazar Suboti\u0107, \u010dlan Centra za me\u0111unarodnu javnu politiku<\/strong><\/p>\n\n\n\n

Tekst preuzet sa sajta Centra za me\u0111unarodnu javnu politiku<\/a><\/strong><\/p>\n\n\n\n

Sli\u010dne tekstove mo\u017eete prona\u0107i na na\u0161em sajtu u rubrici „Kultura<\/a>„<\/p>\n","protected":false},"excerpt":{"rendered":"

„Profesionalac“, filmsko ostvarenje našeg scenariste i reditelja Dušana Kovačevića iz 2003. godine, predstavlja pokušaj pojašnjenja<\/p>\n","protected":false},"author":47,"featured_media":2167,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[77],"tags":[209,63,211,210],"class_list":["post-2163","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultura","tag-analiza","tag-film","tag-profesionalac","tag-sukobi"],"yoast_head":"\nAnaliza sukoba kroz film: \u201eProfesionalac\u201c – Pokreni<\/title>\n<meta name=\"description\" content=\"\u201eProfesionalac\u201c, filmsko ostvarenje na\u0161eg scenariste i reditelja Du\u0161ana Kova\u010devi\u0107a iz 2003. godine, predstavlja poku\u0161aj poja\u0161njenja politi\u010dkih zbivanja...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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