{"id":5029,"date":"2021-07-17T10:49:42","date_gmt":"2021-07-17T08:49:42","guid":{"rendered":"https:\/\/pokreni.rs\/?p=5029"},"modified":"2021-07-17T12:51:38","modified_gmt":"2021-07-17T10:51:38","slug":"srdjan-radanovic-ovo-sam-ja-u-vremenu-zla-ili-autosovinizam-i-samopromocija","status":"publish","type":"post","link":"https:\/\/pokreni.rs\/index.php\/2021\/07\/17\/srdjan-radanovic-ovo-sam-ja-u-vremenu-zla-ili-autosovinizam-i-samopromocija\/","title":{"rendered":"Sr\u0111an Radanovi\u0107: \u201cOvo sam ja\u201d u vremenu zla ili Auto\u0161ovinizam i samopromocija"},"content":{"rendered":"\n

Auto\u0161ovinizam i samopromocija~ Reakcija na kolumne Sofije Nedeljkovi\u0107 \u201cSrbija \u2013 zemlja zaboravljenih velikana\u201d(Danas<\/a>) i Biljane Srbljanovi\u0107 \u201cOstrvo maligana\u201d(Blic<\/a>)<\/em> ~<\/p>\n\n\n\n

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vidovdan.org<\/a><\/figcaption><\/figure>\n\n\n\n

Kopredsjednica Pokreta 1 od 5 miliona Sofija Nedeljkovi\u0107, autorica teksta u kojem svoj strana\u010dki bijes usmjerava na gre\u0161nike koji bi iskoristili Vukovu pobjedu, se pita kako Aca Lukas, najnoviji estradni knji\u017eevnik mo\u017ee da koristi istu reformisanu azbuku kao i Dobrica \u0106osi\u0107, Du\u0161ko Radovi\u0107 ili Momo Kapor, a Biljana Srbljanovi\u0107 joj odgovara onako kako ona zna, poni\u017eavaju\u0107i sve na\u0161e iole dobro, tekstom u kojem poistovje\u0107uje Gorana Vesi\u0107a i Dobricu \u0106osi\u0107a, Momu Kapora i Acu Lukasa. I na\u017ealost nije joj odgovorila kako treba, jer nije auto\u0161ovinizam uvijek opcija<\/strong> (kasnije \u0107u vam objasniti i za\u0161to to kategori\u0161em kao auto\u0161ovinizam). Odgovor na kolumnu objavljenu u Danas-u je zapravo oli\u010den u pitanju: a za\u0161to mislite da ste vi bolji od Vesi\u0107a i Lukasa i kao takvi dajete sebi za pravo da koristite blagodati Vukove reforme?<\/p>\n\n\n\n

Da Sofija Nedeljkovi\u0107, uz du\u017eno po\u0161tovanje mladosti koju nosi u sebi, zna da svojim tekstom diskredituje sve nas koji i kao amateri nastojimo koristiti Vukovu reformu na pravi na\u010din<\/strong>, pa u njemu i sama sebe, nisam siguran, ali sam siguran da je i sama svjesna duha Dragana \u0110ilasa koji vlada u kolumni. Pisala je i dalje nastavlja da pi\u0161e, dok Aci Lukasu i drugim estradnim umjetnicima tu \u017eivotnu mogu\u0107nost ne daje. \u201eDok mi bele\u017eimo na hartiji, Aca Lukas kupaju\u0107i se u parama ( i ko zna \u010demu sve) izdaje nekakvu knjigu\u201d napisala je Nedeljkovi\u0107, vol\u0161ebno prelaze\u0107i preko subjekta \u201emi\u201c. Ko smo to mi, potcijenjeni toliko da pi\u0161emo na hartiji, i za\u0161to je uop\u0161te hartija toliko lo\u0161a, pa zar nam treba vi\u0161e?<\/strong> <\/p>\n\n\n\n

Knjigu Gorana Vesi\u0107a, \u201enajve\u0107eg uni\u0161titelja Beograda\u201c, smatra tek nekim letkom koji nezahvalno stoji rame uz rame, na nekoj tamo knji\u0161koj polici sa Beogradima Du\u0161ka Radovi\u0107a i Mome Kapora. To bi bila sasvim opravdana opaska na ra\u010dun moderne knji\u017eevnosti, da aktivistkinja koja upravo isti\u010de potrebu za pravdom i slobodom, aklamuje politi\u010darima opozicije koji podr\u017eavaju spaljivanje te iste Knjige o Beogradu. Mnogo kontradiktornosti vlada u kolumni nade budu\u0107e politike<\/strong>, toliko da sve re\u010deno dovodi do masovne eskapade, pogotovo kada je rije\u010d o tome ko smije da koristi tu Karad\u017ei\u0107evu\u00a0 renesansnu smjelost. Me\u0111u redovima objavljenim u dnevnom listu Danas, krije se i odbrana neafirmisanih pisaca od ki\u010da, \u0161unda i turbo-folka koji hara kulturnom Srbije ve\u0107 vi\u0161e od tri decenije. Kako sam shvatio, potrebno je da se stvori svojevrsna Ma\u017eino linija u kojoj \u0107e, umjesto dugih betonskih linija, biti kulturno i moralno osvje\u0161teni ljudi, svjesni \u0161ta pi\u0161u, i kako koriste srpski knji\u017eevni jezik. Me\u0111u njima sigurno je i ona, i to ne sama, tu je i mno\u0161tvo njenih kolega iz Pokreta koji je uprkos svemu potpao pod uticaj sive eminencije i tifusa srpske opozicije.<\/p>\n\n\n\n

No, nije sve crno-bijelo. Postoje jasne stvari u kojima se Sofija i ja sla\u017eemo. Sla\u017eemo se oko toga da knjiga koja veli\u010da smrt premijera i kriminal, nije najbolja literatura za bilo koga, a ni dru\u0161tvo na polici sa na\u0161im najve\u0107im i najdi\u010dnijim.<\/p>\n\n\n\n

Auto\u0161ovinizam kao stil<\/h2>\n\n\n\n
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Nakon nekoliko dana, na stranicama Blica objavljena je i kolumna Biljane Srbljanovi\u0107 kao odgovor na \u201ebahatost\u201c mlade aktivistknje Pokreta 1 od 5 miliona. Ona je branila, dobro \u010ditate, branila Vuka Stefanovi\u0107a Karad\u017ei\u0107a i narod koji koristi njegovo reformisano pismo. No, to je to od odbrane bilo \u010dega srpskog, pa bilo ono dobro, najbolje.<\/strong> Poznata spisateljica koja koristi i to ne skriva, auto\u0161ovinizam za samopromociju, poja\u0161njava u tekstu da je ba\u0161 zbog toga da bi Aca Lukas i Goran Vesi\u0107 pisali knjige Vuk i reformisao azbuku, pa to naziva revolucionarnim \u010dinom. Nisu vi\u0161e samo elite kadre da pi\u0161u knjige, sad mogu i svake \u201e\u0161u\u0161e\u201c. Ona \u201epetpara\u010dke pri\u010de\u201c Ace Lukasa poistovje\u0107uje sa najve\u0107im djelima Mome Kapora, ocjeniv\u0161i ih \u201eosvetni\u010dkom pornografijom u svom najbanalnijem smislu\u201c. Momo Kapor i njegova djela za nju predstavljaju trijumf seksizma sa istim literarnim stilom kao i Lukasovo \u201eOvo sam ja\u201c.<\/p>\n\n\n\n

Nastavlja se ta crta nacionalnog samopovre\u0111ivanja u njenom tekstu<\/strong>, koja se osjeti u svim kolumnama. Nova \u017ertva odbrane Vukove reforme je Dobrica \u0106osi\u0107. \u010cu\u0111enje \u0161to se na polici nalaze \u0106osi\u0107evo \u201eVreme zla\u201c i Vesi\u0107eva \u201eKnjiga o Beogradu\u201c je posve bespotrebno. Ukoliko vas na \u010das i za\u010dudi, predstavljate malogra\u0111an\u0161tinu u tijelu prosje\u010dnog politi\u010dkog aktiviste. A nit koja ve\u017ee \u0106osi\u0107a i Vesi\u0107a, po profesorici FDU-a je \u201ebanalnost o tradicionalnim vrijednostima\u201c i \u201eintelektualno limitirani dave\u017e na istorijske teme\u201c. Primitivnost dosti\u017ee svoju beskona\u010dnost u nazivanju Dobrice \u0106osi\u0107a, bez obzira na njegovu politi\u010dku gre\u0161nost, \u201elimitiranim dave\u017eom\u201c.\u00a0 Osobu koja tri nominacije za Nobelovu nagradu opravda svojim bezvremenskim djelima poput \u201eKorena\u201c ili upravo danas nikad aktuelnijim \u201eVremenom zla\u201c banalnim i bezvrijednim je nazvati suvi\u0161no je. Koliko god njegovo mi\u0161ljenje za \u017eivota nije bilo u skladu sa spisatelji\u010dinim, du\u017enost mi je da vas sve podsjetim na pro\u0161lost Biljane Srbljanovi\u0107. Nikad \u017eustrije se, prije prelaska u ve\u0107 \u201edemode\u201c auto\u0161ovinizam i kvaziliberalizam, nije borila za nacionalnu srpsku dr\u017eavu kao u kragujeva\u010dkom \u201ePogledu\u201c, dok danas u \u017eelji da raskine sa pro\u0161lo\u0161\u0107u desni\u010darke koja se zalagala za restauraciju \u010detni\u010dkog pokreta naziva sve sa srpskim predznakom pateti\u010dnim vra\u0107anjem u pro\u0161lost, a na\u0161e knji\u017eevnike pak literaturom koju vrijedi izbje\u0107i u \u017eivotnom nadogra\u0111ivanju.<\/p>\n\n\n\n

Tutorijal kojeg je ponudila u par redaka jeste vrlo jednostavan. Ukoliko \u017eelite da postanete pisac ne trebate uop\u0161te pisati kolumnu u uglednom gra\u0111anskom listu, kako sarkasti\u010dno naziva Danas. Ve\u0107i ste pisac ako pi\u0161ete na telefonu, ka\u017eete \u0161ta mislite na humoristi\u010dan i zanimljiv na\u010din, i jo\u0161 ne\u0161to \u2013 potrebno je pro\u010ditati desetine hiljada knjiga \u010diji autori nisu ni Kapor ni Dobrica. Mo\u017eda tim picima koji nastanu po njenom receptu, u talasu pridobijanja publike na ekstravagantno humoristi\u010dan i ekskluzivan na\u010din pomognu Vesi\u0107eva reporta\u017ea i Lukasova \u017eivotna transparentnost na papiru.<\/p>\n\n\n\n

No, nije sve crno-bijelo. <\/strong>U ne\u010dem se sla\u017eem i sa Biljanom Srbljanovi\u0107, scenaristicom jedne od najboljih srpskih serija \u2013 Otvorenih vrata. Pravo da koristimo na\u0161u \u0107irilicu, na\u0161u latinicu, na\u0161e pismo koje je oblikovao najve\u0107i revolucionar poslije Kara\u0111or\u0111a, Vuk Stefanovi\u0107 Karad\u017ei\u0107 imam i ja, i moji prijatelji, i svi koji svoje misli \u017eele da predstave drugima kroz rije\u010di. Jer rije\u010di su oru\u017eje ja\u010de od bilo kakve bombe, nepresu\u0161ne su, a bolno odjekuju dugo. Njihov eho je nesavladiv.<\/p>\n\n\n\n

\u201eReforme, ne maskarada\u201c rekao je veliki \u0160arl de Gol, a na\u0161 vuk je ostavio reformisanu slobodu svom narodu, ba\u0161 kao i pomenuti general, onda kad mu je \u010dista sloboda najvi\u0161e trebala. Sloboda da pi\u0161emo, da se izra\u017eavamo onako kako mora jedan civilizovan narod, i sloboda da \u017eivi jedan drugi narod, je vrlo sli\u010dna sloboda, zato Karad\u017ei\u0107 i De Gol imaju vi\u0161e sli\u010dnosti od nekog tamo dalekog Kapora i bliskog Lukasa, ili zaboravljenog starca \u0106osi\u0107a i milog zamjenika Vesi\u0107a.<\/p>\n\n\n

\"\"<\/div>
Sr\u0111an Radanovi\u0107<\/span><\/a><\/div>

Ro\u0111en 2002. godine u Prijedoru. Po zanimanju tehni\u010dar informacionih tehnologija i student politikologije na Fakultetu politi\u010dkih nauka u Banjoj Luci. Zaljubljenik u slobodu, borac za jednakost.<\/p>\n<\/div><\/div>

<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

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