{"id":5876,"date":"2021-12-22T17:30:33","date_gmt":"2021-12-22T16:30:33","guid":{"rendered":"https:\/\/pokreni.rs\/?p=5876"},"modified":"2021-12-22T17:30:38","modified_gmt":"2021-12-22T16:30:38","slug":"kratki-rezovi-i-umetnost-kao-poslednja-odbrana","status":"publish","type":"post","link":"https:\/\/pokreni.rs\/index.php\/2021\/12\/22\/kratki-rezovi-i-umetnost-kao-poslednja-odbrana\/","title":{"rendered":"Kratki rezovi i umetnost kao poslednja odbrana"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>\u017diveti za umetnost i od nje u doba profita i politike kao pre\u010dice ka profitu jednostavno se mo\u017ee okarakterisati kao ljubav prema stvarala\u0161tvu, a neki bi rekli i kao mazohizam.<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/pokreni.rs\/wp-content\/uploads\/2020\/05\/strajk-gladju-milan-ruzic-1024x683.jpg\" alt=\"\" class=\"wp-image-1136\" srcset=\"https:\/\/pokreni.rs\/wp-content\/uploads\/2020\/05\/strajk-gladju-milan-ruzic-1024x683.jpg 1024w, https:\/\/pokreni.rs\/wp-content\/uploads\/2020\/05\/strajk-gladju-milan-ruzic-300x200.jpg 300w, https:\/\/pokreni.rs\/wp-content\/uploads\/2020\/05\/strajk-gladju-milan-ruzic-768x512.jpg 768w, https:\/\/pokreni.rs\/wp-content\/uploads\/2020\/05\/strajk-gladju-milan-ruzic.jpg 1080w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>Milan Ru\u017ei\u0107, pisac<\/figcaption><\/figure><\/div>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\">Naime, u neka sre\u0107nija vremena <strong>vrhunska umetnost je podra\u017eavala \u017eivot, pa je onda, \u0161to je jednako dobro, \u017eivot podra\u017eavao najvi\u0161u umetnost.<\/strong> \u0160to se ti\u010de filma, po\u010dev\u0161i s holivudskim sunovratom sredinom osamdesetih godina, ra\u0111aju se projekti nedostojni umetni\u010dke kr\u0161tenice, a zbunjeni narod po\u010dinje da opona\u0161a ono \u0161to se kroz te kvaziumetni\u010dke projekte provla\u010di kao lajtmotiv. Osamdesete su donele procvat nasilja kroz isprazne filmove sa \u017dan-Klod van Damom, Stivenom Sigalom, Markom Dakaskosom, Kasperom van Dinom i Arnoldom \u0160varcenegerom.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">U pitanju su filmovi koje je i autor ovih redova voleo kao dete, naravno, ne shvataju\u0107i podtekst i propagandisti\u010dko-politi\u010dki aspekt tih ostvarenja. Onda je planeta izbombardovana romanti\u010dnim komedijama, pa je publika po\u010dela da misli kako uz svaki obrok treba piti skupoceno vino, kako se treba obla\u010diti \u0161to skuplje, kako je u redu ne ra\u0111ati ili biti samac do 40. godine, pa \u0107e svemo\u0107ni Njujork izroditi va\u0161u srodnu du\u0161u.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h2 class=\"has-text-color wp-block-heading\" style=\"color:#1b75bc\">Prelazak na kratke rezove<\/h2>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\">Zatim su po\u010deli da se snimaju trileri, kako im i samo ime ka\u017ee, veoma uzbudljivi filmovi, a oni su se odr\u017eali i do dana dana\u0161njeg i sve su ja\u010di. Pogledajmo samo serije u na\u0161oj kinematografiji (ili onome \u0161to je od nje ostalo) u poslednjih 10 godina. Mi smo trenutno u fazi imitiranja unosnih filmova s kraja pro\u0161log veka. Za\u0161to je to tako? Zato \u0161to je planeta s imitiranja umetnosti pre\u0161la na imitiranje reklama.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Profili na dru\u0161tvenim mre\u017eama, pona\u0161anje ljudi na ulicama, sve je puno nekakvih mini-reklama<\/strong>, pa na\u0161a deca, a i ne\u0161to stariji, obavezno objavljuju fotografije svoje skupe ode\u0107e, knjige (koja naj\u010de\u0161\u0107e slu\u017ei samo za fotografisanje) pored koje se pu\u0161i vru\u0107 \u010daj iz ki\u010d \u0161olje s nekoliko \u0161tapova vanile naslonjenih na \u0161olju ili prstohvata \u0161ljokica nabacanih pored. A film, on je pre\u0161ao na kratke rezove, turbulentne, ali ipak veoma predvidljive obrte, na gomile \u017ertava, samo poku\u0161avaju\u0107i da proda lice glumca ili ime reditelja. Glumci vi\u0161e ne igraju da bi bili bolji ili da bi pokazali \u0161ta znaju, ve\u0107 da bi ih primetio neko ko \u0107e im br\u017ee doneti status slavne li\u010dnosti ili ve\u0107u zaradu. Dakle, film je izjedna\u010den s reklamom.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Bavljenje knji\u017eevno\u0161\u0107u ili slikarstvom tako\u0111e je obesmi\u0161ljeno, mada nema tako stra\u0161an uticaj na javnost kao film.<\/strong> Me\u0111utim, sada svi objavljuju knjige i slikaju, tako da je kritika nestala digav\u0161i ruke od hiperprodukcije i onoga \u0161to mora da ka\u017ee, jer onda ne bi i dalje obitavala u nekoj komfornoj instituciji.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h2 class=\"has-text-color wp-block-heading\" style=\"color:#1b75bc\">Umetnost je poslednja odbrana od samouni\u0161tenja<\/h2>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\">Uostalom, voleti i stvarati u okvirima neke umetnosti u narodu koji \u010dezne za Grand produkcijom, rijaliti programima, koji \u017eudi za vestima iz crne hronike i s estrade, koji je konstantno putem ekrana zastra\u0161en meteoalarmima, novim sojevima, zlo\u010dinima kriminalnih klanova, otmicama, politi\u010dkom samovoljom, koji je oki\u0107en \u017eeljom za profitom, za vla\u0161\u0107u, za to da se i on ne\u0161to pita, koji je uteran u virtuelne torove gde bleji ni o \u010demu, koji katatoni\u010dno mrda kukovima uz muziku besmisla gledaju\u0107i kako pred njim neko ru\u0161i njegovu umetnost, kulturu, pori\u010de istoriju i poni\u0161tava najva\u017enije identitetske stubove \u2013 jednako je samoubistvu.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ali svakako vi\u0161e prija ubijati se umetno\u0161\u0107u i \u017eiveti za to samoubistvo na rate, nego biti deo potere za profitom i trendovima<\/strong>, pa u tome stra\u0107iti ceo \u017eivot, onaj koji se tako ne uspe podariti deci koju \u0107emo nau\u010diti da budu bolja od nas kako bi za ovu dr\u017eavu bilo ikakve budu\u0107nosti.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Umetnost je na\u0161a prva i poslednja odbrana od samouni\u0161tenja, a njena politizacija i komercijalizacija su konopac na kom \u0107emo visiti. Umetnici nisu zabavlja\u010di, jer upravo dana\u0161nji zabavlja\u010di su virus od koga obolevaju nacija i njen identitet.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">pecat.co.rs, <a href=\"https:\/\/kompasportal.rs\/prelazak-na-kratke-rezove\/\">Milan Ru\u017ei\u0107<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Foto: Sputnik\/Youtube)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#381;iveti za umetnost i od nje u doba profita i politike kao pre&#269;ice ka profitu<\/p>\n","protected":false},"author":15,"featured_media":1136,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[497,4],"tags":[895,729,424],"class_list":["post-5876","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-autorski-tekst-stavovi","category-stavovi","tag-knjizevnost-2","tag-milan-ruzic-2","tag-umetnost"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Kratki rezovi i umetnost kao poslednja odbrana &#8211; 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