{"id":6061,"date":"2022-02-16T11:45:32","date_gmt":"2022-02-16T10:45:32","guid":{"rendered":"https:\/\/pokreni.rs\/?p=6061"},"modified":"2022-02-16T11:45:37","modified_gmt":"2022-02-16T10:45:37","slug":"tri-pogleda-na-karadjordja-koji-je-vas","status":"publish","type":"post","link":"https:\/\/pokreni.rs\/index.php\/2022\/02\/16\/tri-pogleda-na-karadjordja-koji-je-vas\/","title":{"rendered":"Tri pogleda na Kara\u0111or\u0111a – Koji je va\u0161?"},"content":{"rendered":"\n

Savremena srpska nacija nema ve\u0107eg junaka<\/a> nego \u0161to je Kara\u0111or\u0111e. <\/strong>Ne samo zato \u0161to je on oli\u010denje Prvog srpskog ustanka ili revolucije, \u0161to predstavlja alternativni pogled na ta zbivanja, ve\u0107 zato \u0161to u njemu vide \u0161irinu razli\u010diti veliki mislioci. Me\u0111u njima su tri pogleda: Crnjanskog \u2013 Kara\u0111or\u0111e kao vo\u0111a evropskog nivoa, vladike Nikolaja Velimirovi\u0107a \u2013 Kara\u0111or\u0111e kao predstavnik srpskog Bo\u017eijeg naroda i Pu\u0161kinov pogled na Kara\u0111or\u0111a sa strane, kao mitskog div-junaka, ravnog herojima slovenskih bajki i usmenih epova.<\/p>\n\n\n\n

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Kara\u0111or\u0111e<\/figcaption><\/figure><\/div>\n\n\n\n
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Kara\u0111or\u0111e u o\u010dima vladike Nikolaja<\/h2>\n\n\n\n
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Vladika Nikolaj kroz mnoge svoje tekstove, i pre i posle emigracije, predstavlja Kara\u0111or\u0111a kao otelotvorenje selja\u010dkog genija, kao najvi\u0161u instancu neiskvarenog narodnog duha. <\/strong>Nikolajev Kara\u0111or\u0111e je predstavnik \u010distog narodnog pravoslavlja, netaknutog prstom dekadencije zapadne evropske civilizacije: \u201e\u017diveo je skromno. Prosto selja\u010dki. Hranio se selja\u010dki, odevao se selja\u010dki.<\/strong>\u201c Vladika savetuje i posleratnim Srbima da po\u0111u za \u201eduhom onoga svog velikog i svetog genija selja\u010dkog, za duhom Crnoga \u0110or\u0111a iz Topole\u201c. Termin \u201eselja\u010dki\u201c ne kontrastrira ovde pojmu \u201egradski\u201c na na\u010din na koji je to kasnije prihva\u0107eno, u jednom negativnom smislu, ve\u0107 ono \u0161to je selja\u010dko predstavlja \u010distotu, prirodnog Bo\u017eijeg \u010doveka, a ono \u0161to je gradsko i civilizovano predstavlja ve\u0107 odstupanje, degradaciju tog idealnog tipa. <\/p>\n\n\n\n

Kara\u0111or\u0111e u o\u010dima na\u0161eg vladike nije neki neva\u017eni predvodnik selja\u010dke bune, on kora\u010da putevima sveobuhvatne ideje: <\/strong>\u201eKnez Lazar poginuo je na Kosovu za krst \u010dasni i slobodu vascelog hri\u0161\u0107anstva, \u0161to se tada osetilo i priznalo u celoj Evropi, Kara\u0111or\u0111e je digao ustanak sa krajnjim ciljem oslobo\u0111enja celoga Balkana i stvaranja hri\u0161\u0107anske heterije svih pravoslavnih naroda na ovom poluostrvu.\u201c Selja\u010dki Kara\u0111or\u0111e postaje nose\u0107i stub ideje antizapadne pravoslavne samobitnosti balkanskih naroda: \u201eMala znanja dobijaju se u\u010denjem, velika znanja dobijaju se verom i po\u0161tenjem. Hristoverni i po\u0161teni Kara\u0111or\u0111e nije imao sva sitna i sitni\u010darska znanja modernih Srba, ali je imao sva velika znanja.\u201c Vladici nije potreban Kara\u0111or\u0111e u urednom mundiru austrijskog kroja, on traga za Kara\u0111or\u0111em \u017euljevitih prstiju \u201eu gunju i beloj ko\u0161ulji, tozlucima i opancima\u201c, taj Kara\u0111or\u0111e je svetionik izlaska iz slepe ulice umiru\u0107e evropske civilizacije<\/strong>.<\/p>\n\n\n\n

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Kara\u0111or\u0111e u o\u010dima Crnjanskog<\/h2>\n\n\n\n
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Kara\u0111or\u0111e Crnjanskog je oklevetan i umanjen. <\/strong>Na\u0161 najve\u0107i pisac kao da ose\u0107a na svom bi\u0107u rane nanesene srpskom Vo\u017edu. Celu njegovu analizu, jer u pitanju je esej iz predratnog lista Vreme, ispunjen racionalnim argumentima, podupire komparacija Kara\u0111or\u0111a i Milo\u0161a, kao nepravedno postavljenog odnosa sirove snage i mudrog lukavstva: \u201eOpisuju\u0107i ga uvek u borbi, s rukom na kuburi, istorija je propustila da Kara\u0111or\u0111a ozna\u010di kao genija vojne strategije\u2026 Kara\u0111or\u0111e, po ratnim arhivama Austrije, mnogo je vi\u0161e od jednog selja\u010dkog vo\u0111e i njegove rokade, fortifikacije, artiljeriski bojevi, ne mogu se protuma\u010diti, jednostavno, prostom genijalno\u0161\u0107u, ili pomo\u0107i grani\u010darskih oficira, ili mudro\u0161\u0107u majora Dabi\u0107a, ruskog inspektora gradova.\u201c <\/p>\n\n\n\n

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Crnjanski u starim danima<\/figcaption><\/figure><\/div>\n\n\n\n
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Vladika Nikolaj nastoji da prika\u017ee Kara\u0111or\u0111a kao \u010doveka koji je na sebe ogrnuo narodnu du\u0161u, Crnjanski ga prikazuje kao stratega i diplomatu, dostojnog tada\u0161nje Evrope<\/strong>: \u201ePokretanje ustanka, organizacija pobune to je vidno malo remek delo Kara\u0111or\u0111a. Ako se veli\u010da Milo\u0161eva ve\u0161tina prema Mara\u0161liji i Carigradu, previ\u0111a se donekle Kara\u0111or\u0111eva ume\u0161nost prema komandantima Petrovaradina i Be\u010da\u2026 Dok je knezu Milo\u0161u, kao venac slave, ra\u010dunata katkad \u010dak i politi\u010dka mizerija, Kara\u0111or\u0111u je u sramotu pisano i ono, od \u010dega je posle Srbija stvorila dr\u017eavu. <\/strong>Kao diplomat, Kara\u0111or\u0111ev Jugovi\u0107, koga su jele guje u ruskom ratnom stanu, pamtio se kao neka austrijska propalica, dok je Davidovi\u0107 kneza Milo\u0161a ispao po malo srpski Kaning.\u201c <\/p>\n\n\n\n

Kara\u0111or\u0111e nije iskra bo\u017eanske narodne stihije, ve\u0107 ume\u0161an i sposoban politi\u010dar, \u010dije su ideje i postupanja \u0161ira od okvira u kojima je delovao<\/strong>: \u201eLukavstvo, mir, prisebnost i u najstra\u0161nijoj situaciji veli\u010daju se kod kneza Milo\u0161a i njegova ubistva ljudi \u0161to mu smetaju, ali se previ\u0111a da se sve to odigrava u jednom zatvorenom pa\u0161aluku. Upore\u0111enja te vrste u istoriji nemaju smisla, ali ako se ba\u0161 ho\u0107e da \u010dine, budu\u0107i kriti\u010dar ne\u0107e mo\u0107i da ne primeti da je politi\u010dar Milo\u0161 demoralisao i da je neprirodan, van svog pa\u0161aluka, dok je Kara\u0111or\u0111e shvatljiv i u Bosni, i u Sremu, i pod Velebitom, a svaki narod treba da nosi sudbinu svog bi\u0107a. To je jedna mudrost politi\u010dka \u0161to ne vara.\u201c Kara\u0111or\u0111e Crnjanskog nikad nije zapadnjak, on je promo\u0107urni prou\u010davalac zapadnog instrumentarija, ne i podanik tu\u0111e ideje: \u201eNjegova koncepcija austrofilske pomo\u0107i, prividna, opravdana je slutnja celog naroda. Da je u Ora\u0161cu izabran neki selja\u010dki knez, re\u010d bi bila o \u0161umadijskoj \u017eakeriji, protiv do\u0161ljaka feudalaca Bosanaca.\u201c Za Crnjanskog ustanak jeste vid srpske revolucije, ne neke lokalne \u0161umadijske bune protiv turskih spahija iz Bosne, a tu revoluciju, koja \u0107e izroditi dr\u017eavu i institucije, on donosi sa Zapada, iz Austrije, ali \u010dak i kada uzima tu\u0111inski uspe\u0161an model, nikada tu\u0111inu ne slu\u017ei.<\/strong><\/p>\n\n\n\n

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Kara\u0111or\u0111e kao lice surovog i slobodoljubivog balkanskog Slovena<\/strong><\/h2>\n\n\n\n
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Naposletku, posle posmatranja duhovnog i racionalnog Kara\u0111or\u0111a, dolazimo do njegove misti\u010dne ipostase. Kara\u0111or\u0111e kao inspiracija slovenofilske ideje u za\u010detku, kao lice surovog i slobodoljubivog balkanskog Slovena<\/strong>, ogrnutog romanti\u010darskim velom Orijenta i da\u0161ka minule Vizantije. Ruska elita ve\u0107 je pro\u0161la \u010ditav vek evropeizacije, a od Mongola se Rusija oslobodila ve\u0107 krajem 15. veka, kako pada pravoslavni Balkan, tako se uzdi\u017ee pravoslavna Rusija. Vekovi \u017eivota van tu\u0111inske vlasti, kao i stogodi\u0161nji period vesternizacije \u010dine ruski pogled na Kara\u0111or\u0111a veoma primamljivim. Za razliku od pogleda nema\u010dkih romanti\u010dara, koji na Balkan gledaju kao na epsko-herojsku varvarsku d\u017eunglu, Rusi neguju sentimente bliskosti i bratstva, njihov pogled je istovremeno ne\u017ean, ali sadr\u017ei i izvesnu dozu zapadnog pogleda sa strane. <\/p>\n\n\n\n

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Aleksandar Pu\u0161kin<\/figcaption><\/figure><\/div>\n\n\n\n
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Otuda kod Pu\u0161kina Kara\u0111or\u0111e uvek demonstrira orijentalnu pravedniku okrutnost,<\/strong> \u0161to i nije istorijska neistina (znamo da je Vo\u017ed bio prinu\u0111en da ubije svog oca i brata), ali kod najzna\u010dajnijeg ruskog pesnika ta nekontrolisana sudbinska strast koja \u010dini kulminaciju nasilja neminovnom (There Will be Blood) najvi\u0161e i privla\u010di poetu njegovom Kara\u0111or\u0111u. Sli\u010dne sentimente Pu\u0161kin iskazuje i prema ruskom buntovniku i razbojniku Puga\u010dovu, ne mo\u017eete se ne zaljubiti u tu neukro\u0107enu velikodu\u0161nost uhva\u0107enu u ko\u0161tac sa destruktivnim porivima. Ipak, Pu\u0161kinov Kara\u0111or\u0111e iskupljuje svoju herojsku \u017eestinu blagim ciljem, \u017ertvovanjem za slobodu svog naroda, on svojom mu\u010deni\u010dkom krvlju okajava svoju neobuzdanost. Iza Pu\u0161kina \u0107e ostati i jedna nezavr\u0161ena poema \u201eMenko Vuji\u0107 sitnu knjigu pi\u0161e\u201c<\/strong> u slovenskom narodnom stilu u kojoj \u0107e Kara\u0111or\u0111a upozoriti na njegovog \u201edu\u0161manina lukavog\u201c Milo\u0161a Obrenovi\u0107a. Niko nije mogao odvratiti Kara\u0111or\u0111a sa njegovog puta, a ni Pu\u0161kina koji \u0107e poginuti u dvoboju godinu dana kasnije.<\/p>\n\n\n\n

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Koji je od ova tri Kara\u0111or\u0111a pravi? <\/h2>\n\n\n\n
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To zavisi od senzibiliteta \u010ditaoca, od njegovih \u017eelja za budu\u0107nost, od njegovih uverenja. Duhovni Kara\u0111or\u0111e koji ide protiv toka istorije, racionalni Kara\u0111or\u0111e koji ja\u0161e taj tok na op\u0161tu korist ili, pak, stihijni Kara\u0111or\u0111e koji podsti\u010de i novog \u010doveka na strastveni podvig.<\/p>\n\n\n

\"\"<\/div>
Aleksandar \u0110oki\u0107<\/span><\/a><\/div>

Politikolog, asistent na Ruskom univerzitetu dru\u0161tva naroda (RUDN)<\/p>\n<\/div><\/div>

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